In exploring the imprint of space through lensless photographs, here color and light register as residual traces rather than fixed forms. By removing clarity and representation, the images shift away from documentation and toward sensation—what remains when perception is reduced to its barest elements.

These works are not concerned with memory as narrative or emotion as weight, but with the quieter persistence of presence. Each image acts as an afterimage: a fleeting record of energy, movement, and existence that resists being fully seen or understood.

In this suspended, abstracted field, space is no longer something to observe, but something that lingers—an imprint that exists just beyond the limits of the senses.